January 23 - March 13, 2026

“It is a matter of navigating a populated visual landscape of art and life that influences my attraction to design elements such as stripe, repetition, shape, and color that all offer compass and path. The synthesis of many histories in painting and drawing takes place at uninterpretable levels, and it is in these conditions that I seek common ground and the echo of kinship.”

January 23 - March 13, 2026

All proceeds will be used to create an endowment for a Graduate Scholarship in Vision Studies, directed toward understanding the perception and interpretation of our world bathed in light.

The scholarship will support Masters or Doctoral students working in the vision sciences or the visual humanities.

March 20 - May 1, 2026

“A line is a dot that went for a walk.”


- Paul Klee

The moving dot, a term coined by Paul Klee, defines the line as a dynamic, active mark rather than a static one. Its starts from one point and moves across a two-dimensional surface or into a three-dimensional space. Lines are used to define boundaries, contours, and shapes. They can create the illusion of three-dimensional space on a flat surface through techniques like contour drawing. Lines do also suggest motion, gesture, and direction, guiding the viewer's eye through a composition. Lines are essential for constructing and defining space.

In art theory, the relationship between line and space is a fundamental dialogue that defines how we perceive form, depth, and energy. A line is more than a mark; it is the "path of a moving dot" that carves out space and gives it meaning.

Line and space are inseparable. A line cannot exist without space to move through, and space remains an empty void until a line defines its limits or guides the eye across it. Whether through the sharp angles of a skyscraper or the organic flow of a landscape, the line acts as the skeletal structure that gives space its character, rhythm, and narrative.

December 5, 2025 - January 8, 2026

A selection of paintings by Dublin, Ireland-based artist Paul Hallahan, spanning from 2018 to 2025.

September 26 - November 14, 2025

A survey of paintings spanning the artist's collaboration with Maus Contemporary since 2013.

August 15 - September 19, 2025

A selection of early 1990’s paintings by Prague-based surrealist artist Victor Safonkin.

August 15 - September 19, 2025

A selection of 1940’s through 1970’s works by New York photographer Joseph Buemi (1923-2007).

July 8 - August 9, 2025

One single work by Bessemer, Alabama-born painter Jack Whitten is the focus of the gallery’s third “one-on-one” exhibition project, in which viewers are invited to discover one single work drawn from a private collection - in this case a 2011 Jack Whitten work on paper.

Having been able to include selections of the artist’s works on paper in exhibition projects throughout the early 2010’s and hosting Jack’s (…)

May 23 - July 4, 2025

Does memory create its own landscape, or does it just make those events more bearable? In the end, does it all work out? What is real between us? What isn’t real? There is just something tragic about growing up, and no one is spared the harsh truths. Before you know it, you can’t remember what it was like wandering down trails that led to nothing or holding your breath underwater. Memory is a push/pull and so is painting alongside art history. (…)

April 4 - May 16, 2025

Colvin has developed a practice of painting that is both challenging and seductive, using a hybrid of figurative and abstract approaches to create delicate, fantastic, and concrete spaces. (…) The artist’s recent work continues what critic Cinque Hicks described in Art in America as his “naked search for new answers to old questions.” (…)

January 10 - March 21, 2025

Granata's work was included in the groundbreaking 1959 traveling exhibition Recent Sculpture U.S.A. at the Museum of Modern Art, MoMA New York, alongside Ruth Asawa, Alexander Calder, John Chamberlain, Jacques Lipchitz, Larry Rivers, David Smith, (…)

November 1 - December 27, 2024

Dwight's paintings reference imaging overall in an era of advanced viewing that allows humankind to see things we've never seen before: MRI (magnetic resonance imaging), X-ray, satellite photography of our own planet and our universe, microscopy and computer models of wind or ocean currents and fluid dynamics. (…)

August 23 - October 18, 2024

Fantastical landscapes are depicted moving, shifting, and glowing. Tangled spaces that are seemingly untraversable bloom and glisten with vibrancy and energy. The repetitive frames of the paintings - rectangles and squares - serve as a type of sequencing, informed by the artist’s interest in meditative and yogic practices (…)

May 17 - August 9, 2024

Ana Pérez Ventura finds inspiration from a variety of ideas and techniques used in her musical practice as a pianist. She studied Fine Arts at the Universities of Vigo and Barcelona and Music in the conservatories of Vigo and Amsterdam. In 2011 she obtained a master’s degree in Music at the Sorbonne University (…)