• DANIEL WHITE: KNOCK SEVEN BELLS

    May 23 - July 4, 2025

    opening reception: Friday, May 23 (6-8p

    Does memory create its own landscape, or does it just make those events more bearable? In the end, does it all work out? What is real between us? What isn’t real? There is just something tragic about growing up, and no one is spared the harsh truths. Before you know it, you can’t remember what it was like wandering down trails that led to nothing or holding your breath underwater. Memory is a push/pull and so is painting alongside art history. (…)

Painting by Daniel White of a figure with closed eyes, surrounded by pink shapes resembling flotation devices, on a teal background.

Exploring subjects past and present, White’s latest series of paintings for Knock Seven Bells, is a deep dive into the artist’s figurative abstract work.

The show title, taken from an informal British expression having multiple meanings, fits neatly here: informal subjects presented as formal framed oil paintings.

White infuses remnants of memory, truths/half-truths, and implied memory to ask vulnerable questions:

    Does memory create its own landscape, or does it just make those events more bearable?

    In the end, does it all work out?

    What is real between us?

    What isn’t real?

There is just something tragic about growing up, and no one is spared the harsh truths. Before you know it, you can’t remember what it was like wandering down trails that led to nothing or holding your breath underwater. Memory is a push/pull and so is painting alongside art history. Often, they are stories that start out as tragedies, turn into an adventure, and sometimes end well.

The weight of art history is a far heavier load on the brush than the paint. The weight of memory can be even heavier, and painting is always present with the past. What one has to do with both is turn a mirror onto it and ask questions.

Where, through paint, does the trail end, do they survive the boat wreck, are we going to make it through?

click image to access the complete check list for the exhibition DANIEL WHITE: KNOCK SEVEN BELLS

Painting by Daniel White of a face with vertical stripes in blue and earth tones, featuring a simple expression and wearing a striped scarf.

Illustration artists being White’s earliest influence, his love for inspiring sources varies widely; from the vulnerable honesty of a John Bankston painting, the reflective work of Claire Tabouret, the nocturnal paintings of Frederic Remington, the figures on the side of a 19th Century Chinese serving bowl, to the saturated flatness of Japanese woodblock prints and all the way forward to the Modernists’ approach to painting or the utter banality of Pop Art. This creates the DNA for his work. It is then distilled and rendered down to a complex simplicity and essential elements. Doing this on the formal structure of oil on canvas brings playfulness to an otherwise often serious medium.

Daniel White lives and works in the Tuscaloosa, Alabama area. He is a seasoned arts professional by day as the Director of the Paul R. Jones Museum and The University of Alabama Gallery. He holds an MFA from The School for American Crafts at RIT (2002) and a BFA in Studio Art from the University of Montevallo (2000).

His artwork, embracing playful informality and often self-reflective, can be found in private collections across the United States.

Daniel White

Lost in Thought

2025
oil on canvas
40 by 30 in. (ca. 101,6 by 76,2 cm)

private US collection

Daniel White

Image for the Teen Runaway Handbook

2025
oil on canvas
36 by 36 in. (ca. 91,4 by 91,4 cm)

Painting by Daniel White of a person wearing an oversized inflatable floatation device covering the neck and shoulders, with muted colors and minimal facial details.

Daniel White

One with Everything

2025
oil on canvas
40 by 30 in. (ca. 101,6 by 76,2 cm)

private US collection

Daniel White

The Captain & his Vessel

2025
oil on canvas
20 by 24 in. (ca. 50,8 by 61 cm)

private US collection

Painting by Daniel White of a human face with vertical stripes in blue, tan, and brown hues, featuring a simplistic expression and surrounded by a striped background.

Daniel White

Der Kommisar

2025
oil on canvas
36 by 36 in. (ca. 91,4 by 91,4 cm)

private US collection

Daniel White

Grillin’ the Most

2025
oil on canvas
16 by 20 in. (ca. 40,6 by 50,8 cm)

Daniel White

Hot Doggin’

2025
oil on canvas
30 by 24 in. (ca. 76,2 by 61 cm)

Daniel White

All Day Happy Hour

2025
oil on canvas
24 by 30 in. (ca. 61 by 76,2 cm)

private US collection

Daniel White

Enlighten Me, Then

2025
oil on canvas
36 by 36 in. (ca. 91,4 by 91,4 cm)

Daniel White

Namaste, Hold the Onions

2025
oil on canvas
20 by 16 in. (ca. 50,5 by 40,6 cm)

Daniel White

Namaste with Everyting - All of it

2025
oil on canvas
20 by 16 in. (ca. 50,5 by 40,6 cm)

Daniel White

The Dreamer and the Machinist

2025
oil on canvas
24 by 30 in. (ca. 61 by 76,2 cm)

Daniel White

Kodachrome Karl

2025
oil on canvas
24 by 24 in. (ca. 61 by 61 cm)

private US collection

Daniel White

Full Moon

2025
oil on canvas
20 by 20 in. (ca. 50,8 by 50,8 cm)

Daniel White

Nightswimming

2025
oil on canvas
20 by 16 in. (ca. 50,5 by 40,6 cm)

Daniel White

Full Steam Ahead

2025
oil on canvas
36 by 36 in. (ca. 91,4 by 91,4 cm)

Daniel White

Bobby the Bobber

2025
oil on canvas
14 by 14 in. (ca. 35,6 by 35,6 cm)

Daniel White

Sam the Sinker

2025
oil on canvas
14 by 14 in. (ca. 35,6 by 35,6 cm)

Daniel White

Toby the Tugboat

2025
oil on canvas
14 by 14 in. (ca. 35,6 by 35,6 cm)

Daniel White

Fast Ronnie

2025
oil on canvas
24 by 30 in. (ca. 61 by 76,2 cm)

Daniel White

Full Moon - Light Blue

2025
oil on canvas
20 by 20 in. (ca. 50,8 by 50,8 cm)

Daniel White

Full Moon - Dark Blue

2025
oil on canvas
20 by 20 in. (ca. 50,8 by 50,8 cm)

private US collection