Paul Hallahan
Paul Hallahan’s work returns again and again to questions of nature, perception, and the shifting ground between clarity and uncertainty. He primarily paints, though his practice also includes sculpture and video, each medium offering a different route toward contemplation.
His paintings are built slowly through thin, layered washes that hold and reflect light. Rather than presenting fixed images, they remain open and fluid, changing subtly with time, light, and perspective. Each work becomes an environment in itself; atmospheric, temporal, and elusive. They resist finality and instead invite close attention, asking the viewer to linger.
Hallahan’s practice is thoughtful and measured, grounded in the belief that visual work can hold space for reflection and remain active long after it is made. Whether on canvas or screen, the works speak quietly, holding presence without insistence.Interests within his work expand into many areas but commonly focus on how we as a species relate and interact with nature, taking art as a form or by-product of nature and our civilization. Using various methods and techniques his paintings are built up of thin layers on mostly raw canvases which allow light move through the works and change within the spaces they are located, transcending the composition and initial image of the work to the viewer.
Hallahan is the 2018 recipient of the Golden Fleece Award, a coveted Irish Visual Arts Award, and his paintings are held in both public and private collections, including The Arts Council Ireland, Trinity College in Dublin, the Kildare County Council, and the Irish Government Agency Office of Public Works.
Paul Hallahan
Duel
2025
oil on canvas
approx. 60 by 88.5 in.
(ca. 152,4 by 224,8 cm)
private US collection
This painting carries the longest memory, spanning three years of work but with a concept that goes back over a decade to a video I never finished. It finds its location in the trees used in Stanley Kubrick’s film Barry Lyndon; the site of the duel that begins the character’s journey. I was fascinated by that spot: its connection to the deception that drives the story, and the fact that the trees still stand on the grounds of an old Knight Templar fortress. The painting started slight, colour-wise, but over the years and many layers, it finally found its reference point. It is rooted in that deceptive history, yet insists on being its own image entirely.
Paul Hallahan
Beyond the Perceived Point
2025
oil on linen
approx. 63 by 45 in.
(ca. 160 by 115 cm)
Paul Hallahan
One summer last fall
2023
acrylic on canvas
approx. 63 by 45 in.
(ca. 160 by 115 cm)
Paul Hallahan
wake wake wake
2023
oil on linen
approx. 12 by 14 in.
(ca. 30 by 35 cm)
private US collection
Paul Hallahan
Obscurities’ own kind of brilliance
2023
oil on canvas
approx. 14 by 12 in.
(ca. 35 by 30 cm)
private US collection
Paul Hallahan
Seemingly aimless
2023
oil on canvas
approx. 19.7 by 15.7 in.
(ca. 50 by 40 cm)
private US collection
Paul Hallahan
The rivers continued to run
2023
oil on canvas
approx. 14 by 12 in.
(ca. 35 by 30 cm)
private US collection
Paul Hallahan
Nightswimming deserves a quiet night
2023
acrylic on canvas
approx. 45 by 33 in.
(ca. 115 by 85 cm)
Paul Hallahan
Lotus
2022
acrylic on canvas
approx. 60 by 88.5 in.
(ca. 152,4 by 224,8 cm)
This painting was about the thick, breathing density of the world's undergrowth, but I didn't want the literal image. It was a search for the feeling of being overwhelmed by lushness, and I tried to capture that by pushing the materials to their absolute limit. During this time, I was living in South Donegal, and the darkness and perpetual damp of the Leitrim forests, so often referenced by Yeats and other poets, fascinated me. I spent time building up heavy layers of paint, discovering a process that allowed me to pull the base image back into sharp focus, detail by detail. It became a significant piece for me because it was where I truly learned how much pressure the canvas could take, the breaking point where the work finds its necessary tension.
Paul Hallahan
Orchid
2022
acrylic on canvas
approx. 63 by 90.6 in.
(ca. 160 by 230 cm)
Paul Hallahan
Ravine
2022
acrylic on canvas
approx. 45 by 33 in.
(ca. 115 by 85 cm)
Paul Hallahan
true level digging comes up, goes down
2018
acrylic ink and paint on canvas
approx. 88.5 by 60 in.
(ca. 224,8 by 152,4 cm)
This work is rooted in a moment of change, when I stopped curating to focus fully on painting again. I began by experimenting with moving image and overhead projectors, trying to record light shows that were always shifting, always failing in some sense. The work has a location in mind, the Kildare/Wicklow area where I grew up, close to where Francis Bacon also grew up. It is a place that resonates because of my first experiences there with naturally grown Irish mushrooms. But that failure left me with a stack of material, and I leaned into it to make this painting. It started abstract, but soon settled on landscape as its anchor. The abstraction of an already unstable form, like landscape itself, held my interest much more than abstraction for its own sake. It was in this piece that the energy for all the work that followed truly began.
Paul Hallahan
A dilatation of senses under the heat
2023
acrylic on canvas
approx. 14 by 12 in.
(ca. 35 by 30 cm)
private US collection
Paul Hallahan
Mushroom Blue
2022
acrylic on canvas
approx. 14 by 12 in.
(ca. 35 by 30 cm)
private US collection
Paul Hallahan
Determined flash
2022
acrylic on canvas
approx. 14 by 12 in.
(ca. 35 by 30 cm)
private US collection
Exhibitions
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PAUL HALLAHAN: SET ADRIFT ON MEMORY BLISS
December 5, 2025 - January 8, 2026
A selection of paintings by Dublin, Ireland-based artist Paul Hallahan, spanning from 2018 to 2025.